Pupil Barrister

Tag: Music (Page 3 of 7)

A True Born Englishman?

I did not comment on Nick Griffin’s Question Time appearance last month because I was on holiday.  But I did catch it on one of the BBC World channels which are helpfully broadcast into South Africa.
Overall, my impression was that the other pannelists collectively agreed to discredit Griffin with ad hominems, rather than engage with, and demolish his arguments.  Several obvious and definitive retorts went begging.  For example, in response to Griffin’s unsophisticated critique of Islam, Baroness Warsi could simply have pointed out similar hateful lines from the Christian bible.  Instead, she made a round-about speech on the contribution of Muslims to Britain which looked like abvoidance of the question.  Likewise with the pathetic nonsense about “indigenous” Britons.  None of the pannellists seemed to counter this in the definitive manner I would have liked to see.
What they needed was some poetry.  I am delighted to discover The True Born Englishman by Daniel Defoe, written in 1703.  An excerpt:

The western Angles all the rest subdu’d;
A bloody nation, barbarous and rude:
Who by the tenure of the sword possest
One part of Britain, and subdu’d the rest
And as great things denominate the small,
The conqu’ring part gave title to the whole.
The Scot, Pict, Britain, Roman, Dane, submit,
And with the English-Saxon all unite:
And these the mixture have so close pursu’d,
The very name and memory’s subdu’d:
No Roman now, no Britain does remain;
Wales strove to separate, but strove in vain:
The silent nations undistinguish’d fall,
And Englishman’s the common name for all.
Fate jumbled them together, God knows how;
What e’er they were they’re true-born English now.

It reminds me of England, Half English by Billy Bragg:

My mother was half English and I’m half English too
I’m a great big bundle of culture tied up in the red white and blue
I’m a fine example of your Essex man
And I’m well familiar with the Hindustan
Cos my neighbours are half English and I’m half English too.

Update

Andrew Sullivan makes this point in The Sunday Times, in a post about race in America: ‘Scratch white America and beneath it is black‘.

#MichaelJacksonRIP vs #IranElection

Evenin’ all. I wanted to make a quick point about certain global news stories, and the relative amount of news coverage given to each.
Its fashionable, yet incredibly easy to complain that the Michael Jackson death has crowded out news of other more pressing matters. Shawn Micallef sounded an early word of warning about this attitude:

There is no need to compare MJ & Iran – completely dif, just intersect on same medium, not a social/moral lesson to be learned.

Then (again via Twitter, though the link is now lost in the maelstrom) I came across this MJ/Election mash-up, and it occurred to me that coverage (be it on Twitter, blogs or the international MSM) is not a zero-sum game, and that coverage of one piece of news could promote awareness of another.

If you consider Jackson’s output, there are actually loads of other songs that could fit a revolutionary template. Songs like “Heal The World” and “You Are Not Alone” seemed (to me) quite sanctimonious and irritating when they were released. But with the passing of Michael Jackson, the self-congratulatory element to those tracks seems to dissipate. They’re now ripe for the picking as a backing track to some feel-good montages of the peaceful demonstrations in Tehran. “Earth Song”, “Black or White” and (going back a little bit further) “Man in the Mirror” also carry that We-Are-The-World vibe… as does, of course, “We Are The World”! They could all fill the role of unofficial theme-tune to a non-violent protest movement.
Too cheesy? Not one bit of it: The “Yes We Can” generation of political campaigners are unafraid of such accusations. Meanwhile, tracks like “Beat It” could accompany comedic images of Ahmedinejad and Khameni and Keyboard Cat.
I meant to post this last week, so I feel sure I am behind the curve on this one. Yet a quick search through YouTube doesn’t yield further examples. Let us know your favourites, either in the comments, or via the tips form, and maybe we’ll do a round-up or something.
+posted at Liberal Conspiracy. Comment there.

Jacko

Apparently Twitter was pretty much overloaded with the news that Michael Jackson had died.  From Toronto, Shawn gets in an early word of warning:

There is no need to compare MJ & Iran – completely dif, just intersect on same medium, not a social/moral lesson to be learned.

Guy captures the mood:

im feeling weird about Jacko dying. he was too weird and too great and it feels strange.

Was surprises me, is that somehow I am not more surprised.  By the time I got to know his music in the late 1980s, he had Thriller behind him and was already stratospheric, categorized alongside other immortals like Elvis Presley. Horrible to think it, but a premature death seems somehow appropriate for the narrative, the modern folklore.

Michael Jackson

Britain's Got Talent Potts-Boyler Narrative

If Susan Boyle doesn’t win Britain’s Got Talent 2009 I will eat my hat.  Click the pic for some unfettered joy:
susan
It will have escaped no-one’s notice that the narrative of Susan Boyle is very similar to that of Paul Potts: the undiscovered talent, sitting dormant until middle-age.  Both tell stories of a mundane life, and both defy the judges’ expectations in the most satisfying manner.  Simon Cowell is the wicked-witch and faery Godmother, rolled into one: he is the cynic to be flummoxed, and also the bestower of fame.
Its a double-delight to watch Susan and Paul ‘turn’ the crowd in the process.  Unlike the cool kidz and the prettyboys who expect the mobb’s support (until the proven otherwise), Boyle and Potts have to win over a crushing cynicism.  And it is that sweet, sweet triumph which makes these clips so throatblockingly beautiful.
A third delight is the fact that these performances emerge from a TV format that, elsewhere, depends on precisely the cynical, sing-by-the-numbers yawnery that usually serves to suppress people like Susan and Paul.  This is clearly a feature of the auditioning process, which takes place with a live audience in situ.  Contrast this with the X-Factor, which is auditioned in lonely, acoustic-poor conference rooms.  With just Simon, Louis, Sharon and Dannicherylpaula in attendance, there is little to rein in the instinct to follow the tested formula, and the whole ungodly affair is quickly homogenized.  While token fat and/or middle-agers do get through to the second round, its generally a highly conventional face-voice combination that will win X-Factor.  The opposite seems to be true with BGT, which strikes me as much more interesting and obviously better.
Also, expect to see a Paul Potts/Susan Boyle duet album and co-tour, sometime in 2009/10. They complement each other in appearance and demeanor, and as an added bonus, their surnames could not be better suited.  Their story could be a great little Potts Boyler.  If I was a more cynical I person I might even hint at a Chart Throb/Wag The Dog style conspiracy… but watching that clip of Susan, again, drains me of all such heresy.

snarebrained

FOUND play at The Mill, 6th October 2008

FOUND play at The Mill, 6th October 2008


Remember FOUND, the five-piece innovators from Edinburgh?  They are off to the South by South-West festival in Texas, and are raising money for the outing by producing a new album.  In a RadioHead style gambit, they’re giving punters the chance to choose what price to pay for the collection.  I’ve gone for £7.50 because

  • I’m short of cash; and
  • its pretty much the amount I would have spent for eight songs on iTunes.

You could spend as much as £49 if you’re flush.
Their online marketing techniques remind me a little of the MC Yogi tactic discussed earlier: a little something for free (or in this case, below the market rate) might lead to new paying supporters later.  Appallingly though, their Flickr photos fall foul of the same Creative Commons malaise I whined about yesterday.  Since I know the musicians personally, I’m going ahead and reproducing one of their images without fear of retribution.  But guys: It doesn’t have to be this way.

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