Pupil Barrister
Reviews, comments and thoughts on visual arts and graphic design
I’ve been thinking for a while that some of the trends on interactive web in general, and blogging in particular, should be addressed in a creative way. I think there are some frustrations and absurdities that could be expressed in a fictionalized manner. I even started writing something before my laptop was stolen.
However, Brewster Rocket, Space Guy, has stolen the march.
Brewster Rocket: A blog war has broken out… (by Tim Rickard)
Sifting through my late Grandmother’s scrap-books, I found this set of Pharmaceutical envelopes from the Victorian/Edwardian era. They were collected by her uncle (so that’s my Great-great Uncle) Thomas Lewis, who was a Chemist in Pembrokeshire, Edinburgh, and London.
A portrait by friend and collaborator CJ Clarke. ‘Magic Party Place’ is his ongoing project on contemporary Britain.
While waiting for the Wisconsin and Hawaii primary results to drip in, I thought I would have a look at the various presidential candidate websites:
Its striking how similar they all are in layout. Indeed, the sites for Clinton, McCain and Obama are so alike I thought they might have been created using the same software, but this isn’t so. All have the candidates name and logo in the top-left corner of the site (in common with most websites these days), an e-mail sign-up form in the top-right, and a donate button right below that. All have horizontal menus, a three column layout, with a large graphic element accorss the first two columns, below the menu. While this might demonstrate to some people that the candidates are clones of one another, I’m inclined to see it as proof that all the politicians recognise the value of good design. Following a recognised and established layout allows users to navigate the site quickly and efficiently.
There is, I think, a cliche of the ‘Presidential Candidate Logo’. The surname, of course, coupled with the year digits and then some flag-like representation in red, white and blue. Joe Biden and Dennis Kucinich come close, but its Hillary Clinton who takes the prize for the most obvious logo in the field. What’s quirky about Senator Clinton is that her logo is derived from her first name.
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The prolific Daily Dish links to a willfully provocative art exhibition in Los Angles, entitled “Merry Titmas”. Andrew makes the point that such ‘provocative’ shows are actually pretty run-of-the-mill and lacking in real bravery.
My general rule with “brave” outsider anti-religious art is to ask if they’d do to Islam what they do routinely to Catholicism. Most don’t. Poseurs are often cowards.
This is a surprisingly immature comparison to make, given the two religions’ very different attitudes to icons and imagery. Christianity, and Catholicism in particular, makes no bones about exploiting the images of its deities. The powerful and often visceral images of Christ, and the invariably erroneous images of the Madonna and Child, are central to the Church’s propaganda. By contrast, Islam guards against such crassness by forbidding any visual depiction of Mohammed, Peace be Upon Him, in any form (be it High Art, cartoons, or the modern medium of teddy bear).
So creating a disrespectful image for one religion is not really comparable to creating a similar image for another, because the critique and satire that underpins the artist’s intent in one context, is not always applicable to another. I agree with Andrew that these artists tend to be ‘poseurs’, and in other areas, I’m sure that one can make the “would you do it for Islam?” comparison. But unfortunately, that argument doesn’t hold for icons and iconoclasm.
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