Pupil Barrister

Tag: Visual (Page 10 of 16)

Reviews, comments and thoughts on visual arts and graphic design

Coverage 2.0

News gatherers and citizen journalists in Mumbai, 28th November 2008. Photo by Vinu

News gatherers and citizen journalists in Mumbai, 28th November 2008. Photo by Vinu


The way in which 24 hour news channels have changed the way we learn about, and witness, global events has been well documented and discussed. We saw the twin towers fall, live on TV.  I think its astonishing that the image of one of these young terrorists could be pasted across my copy of the Metro, whilst he was still at large in India.
The latest terror induced crisis, in Mumbai, takes our participation in these events a stage further. These attacks, made with assault-rifles over several locations, was in many ways more confusing than Al-Qaeda’s grand gesture of 9/11. It says something about how technology has developed, that this story was relayed as much by connected individuals – the mass of citizen journalists – as by major news networks. Via Peter Bradwell at Demos, I’ve found a Twitter feed giving information on the attacks. In a mirror of the Election Twitter, which captured the global exhilaration of the Obama victory, this Mumbai twitter conveys something of the confusion caused by these attacks.  As well as learning about the events, and witnessing them, it has come to the stage where we are experiencing them too.  The epicentre of the attacks are in India, but we experience the reaction everywhere.
Meanwhile, high quality images are available via Flickr (including Vinu’s excellent shots, which I’ve used to illustrate this and the previous post).  In this case the static, but high-resolution photos beats low resolution YouTube.  Either way, social media sites have been promising to empower the citizen journalist, and to cut out the middle-man of the mainstream media.  And of course, they also make it harder for government’s to force a certain narrative onto us.  In 2008, with the Obama campaign and the Mumbai attacks, I would say that social media has come of age.

Internet Humour

Chris at QWGHLM has created a mash-up of the bunker scene from Downfall.  It depicts Hitler as Nick Griffin, loser of membership lists. (via LibCon).  Godwin’s Law apparently does not apply.
It reminds me, loosely, of an article in Salon on the ICanHazCheeseburger? phenomenon, on the cartoonish nature of the images of cute and not-so-cute cats:

By articulating profound feelings through cats and marine mammals speaking garbled English, we’re able to shroud genuine emotions in pseudo-irony — which means those animals can evoke deeper emotions without fear of mockery or cheapness.

“The animals aren’t animals at all, they’re stand-ins,” explains Mankoff. “They’re hybrids we use as devices to talk about the feelings we can’t name in other ways.”

How does this relate to Hitler and making fun of the BNP?  Well, only in that Chris’ mash-up is essentially a one-panel cartoon in YouTube form.  Like a one-panel cartoon, its actually a one note joke.  Put an emotion or context you want to mock into a preposterously stretched yet analagous situation, et voila!  Mirth ensues.
As I’ve said before, we live in the age of the remix, the mash-up, so its only natural that our humour should be of this form too.  Pick two ideas, any two ideas, and put them in a blender.  Corporate Pie-Charts vs Commercial Pop Music, for example.   Or another, which rather brings this post to a full, zen-like circle: Cats and Hitler:

Kitler, from catsthatlooklikehitler.com

A Kitler, from catsthatlooklikehitler.com


With the exception of the truly extraordinary image above, I would suggest that another feature of this kind of humour is its rather transient nature.  Over at the Liberal Conspiracy, Unity may indeed be ROTFLHFAO just now, but when the news story fades it is unlikely to be quite so hilarious.  It is certainly true of the GraphJam site (which is in desperate need of an editor).  Anything that includes the word’s “Sarah” and “Palin” now seems very passe.
Interestingly, the one-panel joke lends itself very well to a cross-over into the print world.  Nowadays, publishing an annual ‘best-of’ book allows these site owners to monetize their humour.  The Onion AV Club has a run-down of 27 Popular Websites That Became Books.  LOLCats is at Number 1, obv.  More on them another time…

Its the faded parchment screen print agitprop aesthetic YouTube round-up

An increasingly common visual style for political campaign videos is the the faded-parchment screen-print agitprop aesthetic, coupled with typography and animation (usually utilising Apple’s Motion programme).  Its slick and funky, and develops the insurgent, vanguard aesthetic that has been the staple of many a left-liberal leaning and/or anti-government campaign for decades. The latest favourite, another Obama video from MC Yogi:

Crucially, this style of animation is a low cost way to produce something that is eye-catching and professional. Moreover, graphics and animation students are being set typography-animation assignments as part of their courses. I predict that this type of video will become one of the defining aesthetics of the next decade.
Here are some more examples. Continue reading

Words

Via the excellent and learned FiveThirtyEight.com, here is a sumptuous piece of visual communication from the Boston Globe:
McCain blog word frequency visualisation, from the Boston Globe
The letterpress style visuals are lovely. It visually depicts the frequency of words on McCain’s and Obama’s respective blogs.

Little wonder that stories about McCain are more easily pushed aside; McCain’s own stories are mostly about Obama.

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