Pupil Barrister

Tag: Visual (Page 13 of 16)

Reviews, comments and thoughts on visual arts and graphic design

The Digital Revolution

One striking aspect of Taking Liberties was the art direction. There’s a lot of computer generated imagery, which has been beautifully designed by Nexus Productions. Much of it is inspired by 1930s propaganda imagery and the letterpress aesthetic of printing and pampleteering (a visual style I’ve been toying with on this blog too, to much derision).
The Nexus animations are very effective at conveying the sense of oppression and fascism that the film-makers want to hint at. As an added bonus, it is also a very effective means of covering vast chunks of screen-time. Finding the right film footage to get your point across is often very difficult and always costly. Even stock footage from the BBC and similar organisations is incredibly expensive. For a film-maker working to a tight budget, animation can be a very useful method of getting your point across.
A good example of this is the short film What Barry Says by Knife Party, which is similar in style to the Taking Liberties animations… both in visual style, and in the manner in which they ‘illustrate’ what is essentially a political essay, ‘telling’ rather than ‘showing’.

Uber-blogger Andrew Sullivan was struck by the aesthetics of What Barry Says too:

It contains Chomsky-esque platitudes about a new American fascism blah blah blah. 9/11 is a response to American imperialism; North Korea is a victim, etc. But its use of graphics and editing is extremely skilled propaganda: Nazi-like in its concern with aesthetics. Somehow I feel the irony was lost on it creators.

I totally disagree. Andrew acknowledges that the film-makers are seeking to establish a conceptual link between the facist regimes of the past, and the US Government under President George W Bush. It is entirely appropriate that they choose an aesthetic that is reminiscent of fascist designs. The self-awareness is definitely true in the case of Taking Liberties: When the messages turns from what negative things have happened, to what positive things could be done in response, the design becomes flourescent and modern instead.

Jagged Little Pill

2012olympics_logoSo, a new logo has been launched for the London 2012 Olympic Games. Lord Coe says it was designed to appeal to young people. I can only assume he means the knife-weilding, feral youths we hear so much about, for the logo resembles nothing so much as a pile of broken glass.
I do applaud the London Games’ committment to inclusivity and the inspiration of youth… but it is cringe-incuding to read the attempts by Tessa Jowell, Ken Livingstone, Lord Coe, Colin Moynihan (the Chairman of the British Olympic Association) and the IOC President Jacque Rogge to claim that the Olympic values are somehow embodied in the graphic design. A new logo can never do that – especially one as simple as that unveiled today. In fact, logos and brands only accquire their wider meaning, only become symbolic, after the organisation proves to the public what its values are, through its deeds. The colourful rings already have those positive associations, so it is odd that they are sidelined in the London 2012 logo, and that the bold colours are abandoned in favour of a tasteless blue.
The logo also comes in ugly pink, violent orange, and bogey green, but all versions carry a clashing yellow border. Lord Coe says that the logo will ‘evolve’ between now and 2012, and I predict that the demise of this outline will be the first ‘evolution’. This would leave a monochrome logo, which will become instantly more versatile.
And I don’t like the font either.
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Redesign by stealth

I have made some subtle changes to the design of this blog. I was getting slightly annoyed with my handwritten title, the enormity of which always ran the risk of being pretentious. I’ve replaced it with some half-hidden lettering instead.
A few more alterations are on their way. I had hoped to do them all together, and launch the new design to much fanfare. However, I really don’t have the time to make a concerted effort. Eventually I snapped and began making tweaks – expect a few more in the weeks to come.

Attempts On His Cake

Layers of sponge, layers of meaning: My mother does a fantastic line in meta-cakes. Last year, we had the Famous Blog Cake. This year, we have a representation of the theatre production I have been working on, rendered in the medium of icing and lego.
Attempts on His Cake
The show combines film and live performance, where the characters conjure “seventeen scenarios for the theatre”. So my birthday cake is, in fact, a rendering in icing of a rendering on film of a rendering on stage of an imagined story. That’s at least four layers, which works out at two-per sponge tier.
I particularly enjoyed the inclusion of the little man with the beard and computers, standing off-stage/cake. It is meant to be me.
In fact, I was presented with the cake by means of a short video, e-mailed to me while I was at work. Given the context, it was the perfect combination of medium and message. It is unfortunate that the sublime wit might not be apparent to anyone other than myself, but I sincerely believe it was a very clever creation.

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