Check out this stunning animation by Ryan Woodward:
I was delighted to see this, because it takes to a perfect, polished conclusion a visual style I messed about with briefly, a few years ago:
For the avoidance of doubt, I do not claim that my sketches had any influence on Ryan! ‘Construction’ type sketches are a common enough aesthetic, and I’m not even sure that it was an original style when I created my own animation.
Rather, I just say that there is a certain pleasure in seeing such an idea realised. When I was messing about with tracing paper, I knew I did not have the artistic training, nor the resources, nor the talent, to actually realise what I saw in my head – a depressing realisation one learns to accept. But watching Woodward’s piece, I see he has incorporated everything I would wish, especially a sense of the transient, the fleeting, and the whiff of faeries.
See also: Fifty Nine Productions animations for Jónsi.
Tag: Visual (Page 5 of 17)
Reviews, comments and thoughts on visual arts and graphic design
Here are my photos from the demonstration for Azerbaijani editor Eynulla Fatullyev.
Update 7th June 2010
Here is a video of the same event, courtesy of Amnesty:
As flights resume following the Eyjafjallajokull erruption, Europe is left counting the economic cost of a genuine, real-life, bona fide Act of God. I was at the London Book Fair this week, with English PEN, and saw first hand the effect that cancelled travel plans can have on commerce, and indeed, the free flow of ideas. Below is my Flickr photoset ‘Fallout’, showing the forlorn empty trade stands at the fair.
I just saw this photo on a BBC News report on healthcare reform.

President Barack Obama, Vice President Joe Biden, and senior staff, react in the Roosevelt Room of the White House, as the House passes the health care reform bill, March 21, 2010. (Official White House Photo by Pete Souza)
It was pulled from the White House’s official Flickr stream, and I think it may soon become emblematic. It will be used to illustrate a huge victory, substantial but also symbolic, of the Obama Administration. The President looks chuffed but not ecstatic. A job well done, but you sense he will be turning to his staff to ask, “what’s next?”
Maybe that’s not what happened in reality. Maybe the President went mental and stood on a table with a knife, lording over his defeated enemies. But we don’t see that photo. Significantly, we only have this one image of the celebrations, so that is what will persist of that moment – its a clever bit of subtle PR. Politicians have been shaping the narrative with flattering images for centuries, of course. But its always interesting to watch it happen in real time.
There is a free speech element to the latest celebrity sex-scandal. John Terry sought a ‘super-injunction’ against publishing details of his affair, that also prevented the media from reporting the fact of the injunction itself. On the Index on Censorship blog, Padraig Reidy asks whether the lifting of this injunction by Justice Tugendhat could signal the end of the ‘super-injunction’ as an effective tool in the lawyer’s arsenal. The #Trafigura affair showed how such injunctions can be circumvented by beligerent members of society.
As an aside, I think ‘super-injunction’ is a misnomer. Surely an injunction that prevents discussion of itself should be a ‘meta-injunction’ or maybe an ‘auto-injunction’? Responses from linguists would be welcome.
Why the outrage?
The opprobrium directed at John Terry mirrors that experienced by Tiger Woods, who last month was exposed as having a penchant for sex with strippers and lap-dancers. In both cases, the chat has centred around the sponsorship deals the men have secured with various brands, and the inevitable loss of these contracts once their philandering has been exposed. The logic is that these sportsmen are paid because they represent wholesome family values. When it becomes known that they do not, actually, live up to those values, their worth as the face of the brand is diminished.
How does this compare to the glamourous film stars, predominantly but not exclusively female, who are paid to advertise beauty products? We all know that when they appear in display adverts, they are heavily photoshopped. Their smooth skin, supple necks and firms thighs are actually complete lies. Why no outrage and heamoraging of sponsorship deals, when Heat magazine reveals they have saggy bits?