Barrister

Author: Robert (Page 265 of 328)

The Digital Revolution

One striking aspect of Taking Liberties was the art direction. There’s a lot of computer generated imagery, which has been beautifully designed by Nexus Productions. Much of it is inspired by 1930s propaganda imagery and the letterpress aesthetic of printing and pampleteering (a visual style I’ve been toying with on this blog too, to much derision).
The Nexus animations are very effective at conveying the sense of oppression and fascism that the film-makers want to hint at. As an added bonus, it is also a very effective means of covering vast chunks of screen-time. Finding the right film footage to get your point across is often very difficult and always costly. Even stock footage from the BBC and similar organisations is incredibly expensive. For a film-maker working to a tight budget, animation can be a very useful method of getting your point across.
A good example of this is the short film What Barry Says by Knife Party, which is similar in style to the Taking Liberties animations… both in visual style, and in the manner in which they ‘illustrate’ what is essentially a political essay, ‘telling’ rather than ‘showing’.

Uber-blogger Andrew Sullivan was struck by the aesthetics of What Barry Says too:

It contains Chomsky-esque platitudes about a new American fascism blah blah blah. 9/11 is a response to American imperialism; North Korea is a victim, etc. But its use of graphics and editing is extremely skilled propaganda: Nazi-like in its concern with aesthetics. Somehow I feel the irony was lost on it creators.

I totally disagree. Andrew acknowledges that the film-makers are seeking to establish a conceptual link between the facist regimes of the past, and the US Government under President George W Bush. It is entirely appropriate that they choose an aesthetic that is reminiscent of fascist designs. The self-awareness is definitely true in the case of Taking Liberties: When the messages turns from what negative things have happened, to what positive things could be done in response, the design becomes flourescent and modern instead.

Taking Liberties

I’ve just been to see Taking Liberties, The Movie (featuring, among others, Rachel North). The Cameo Cinema in Edinburgh now has Wifi, and since I’m One Of Those Guys With a Mac who carries his laptop everywhere like its a sixth limb, I’m able to provide a still-fresh-in-my-mind response.
The film focuses on the culpability of Tony Blair and his administration, in their ironic response to the post 9/11 terrorist threat, that is, the curbing of civil liberties in order to ‘protect’ our freedom. The myriad ways in which this has occurred has been well chronicled online. Indeed, I have asked before (can’t find the link at present) whether the popularity in blogging is linked in some fashion to the frustration at such incursions.
As we saw the slighty desaturated footage from protesters who had filmed the police, and from the police who had filmed the protesters, I found it very difficult not to consider the role of the ordinary policeman, and hard not to feel sorry for him. They are faced with the unenviable task of implementing the ill-considered laws that are handed down by governments. In one-heart breaking scene outside the Menwith Hill facility in Yorkshire, a young and amicable officer finds himself slipping into the illiberal misuse of the Terrorism Act. He is, of course, only following orders (mein Herr), only doing his job, sir, and the film-makers make him look faintly ridiculous – a lackey, a patsy, an automaton. In a similar scene, a couple of fresh young police-constables recieve similar treatment, when they are forced to hand out leaflets warning of the illegality of a protest on Parliament Square.
In a sense, these boys in blue are as much a victim as the protesters who we see suffer harassment, intimidation and unlawful detention. Because in most case, it is not that the ordinary policeman is going beyond the law, or that he is involved in any kind of ideological collusion with a would-be oppressor (although that charge is levelled against some officers in Brighton). It is that the laws are framed in such a way as to invite ridiculous, counter-productive outcomes. Campaigners such as Mark Thomas have become very proficient at designing their protest in such a way as to provoke these outcomes.
Rachel, from North London

LeithLivePhotoBlog

I’ve never done any ‘Live-blogging’ on this site, primarily because I’ve never been in a situation where I thought my presence at a computer provided anything new to an event or news story in progress.
Anyway, I happen to be sitting in the Qupi Café on Leith Walk, and it seems a carnival procession is passing me by. I have my camera-phone, and I have a Bluetooth internet connection. Allow me to present The Great Leith Festival Carnival Procession LivePhotoBlog!
First up: A big yellow bus promoting Corona Beer.

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Ghost Prisoners Named

A group of Human Rights organisations, led by Amnesty International, have published a list of 39 ‘ghost prisoners’ that have been detained by the US Government as part of its War On Terror.

The US has the duty to detain and bring to justice anyone responsible for crimes but it must do so in a manner that respects human rights and the rule of law.

A few months ago, I saw Clive Stafford-Smith from Reprieve talk very eloquently about this issue. You can read my account here.

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