I’m pleased to announce that a new short story of mine has been published over on Pornokitsch, the genre-loving, BFS Award-winning, Hugo-nominated and entirely-safe-for-work-despite-the-name online magazine.
My story is titled ‘01001001 01000011 01000101’. Its inspired in equal parts by Ray Bradbury, Tom Stoppard, Shelley’s ‘Ozymandias’ and the 2004 Dennis Quaid / Jake Gyllenhaal disaster movie The Day After Tomorrow. It begins like this:
The book was big and heavy, which meant it would burn well.
Click here to read the whole thing. When you have finished you might like to tweet about it or share it on Facebook. If you’re still on Facebook, of course. Continue reading “New Story: 01001001 01000011 01000101”
Watson: Sherlock, could it be…
Sherlock: It’s never twins.
I wrote a very short piece for Multiple Matters, the official magazine of TAMBA.
Twins are a irresistible plot device, particularly for science fiction and fantasy writers who can have their characters appear to be omnipresent, to teleport, or even return to life. The ploy works for the same reason that random people obsess over the multiples they meet at school or in a buggy at the shopping centre: twins are are part of our natural world, but they are also somehow magical. Continue reading “Multiple Matters: Twins in Fiction”
I’m delighted to have a short story featured in Crises and Conflicts, a new anthology of space and military science fiction, just published by NewCon Press as part of their 10th Anniversary celebrations.
My piece, ‘Round Trip’ is a tale of loneliness, obsession, patience, and the tedious experience of waiting for a no-frills budget space shuttle to Jupiter (we’ve all be there).
The central science fiction idea in the story is that the universe is finite and curved, a theory developed by the cosmologist Professor Janna Levin. I can highly recommend her book How The Universe Got Its Spots and her beautiful Moth story ‘Life on a Mobius Strip‘. Continue reading “Crises and Conflicts from NewCon Press”
I’m delighted to have a story featured in the anthology We Need to Talk, launched yesterday. The publisher is Jurassic London—here’s the blurb from their website:
All of us, at some point, are involved in difficult conversations. Whether that’s tough talks with clients or bosses, or break-ups, or coming out, or telling someone you love them, or giving advice to that friend who just doesn’t want to hear it. Some conversations are even more difficult, as sufferers of any potentially serious illness will know.
But one thing’s for sure, these conversations are fascinating. So much so that we’ve teamed up with Kindred and The Eve Appeal, to launch a writing competition on the theme of difficult conversations.
My story is called ‘Frozen Out’, an awkward conversation between a husband and wife. Its inclusion in the anthology is all the sweeter because the other eighteen stories are uniformly excellent. Continue reading “We Need To Talk launched for The Eve Appeal”
I gatecrashed the Hugo-nominated Pornokitsch blog to post this review of my competitor novellas. I also put this on Medium, just because.
I’m delighted and honoured to have been nominated for the Shirley Jackson Award, for my novella The Good Shabti, published by Jurassic London. However, there are four good reasons why I probably won’t win.
The first reason is the Ceremony of Flies by Kate Jonez (DarkFuse). Our protagonist, who calls herself Emily, is an unreliable cocktail waitress, an unreliable road-trip buddy and definitely an unreliable narrator. We meet her serving drinks in a Las Vegas casino, but before long she is on the run in a 1971 Pontiac Convertible, driven by an equally dubious gambler named Rex. Their journey takes them from the bright lights of Sin City, via suburban Barstow, to ever more remote and decaying locales, until she arrives at what might just be the end of the world.
Jonez’s parched descriptions of this doomed trajectory are fantastic. There are Joshua Trees and Stucco churches, and flies everywhere. The soaring temperature is evoked so well I thought my Kindle might overheat. And there is no let up—Every apparent relief, every opportunity for a cool breeze or a quenching of thirst, is just a further heightening of the characters desperate plight. Is this Emily’s personal hell for the many crimes she has committed? Or some wider vengeance? Continue reading “Four reasons why I probably won’t win the Shirley Jackson Award”
To tie in with the announcement about The Good Shabti, my story (0,0) has been published on the Hugo-nominated Pornokitsch website, in their weekly fiction slot. The story, you may recall, was originally published in the Crossroads anthology.
The story begins
Hi there, friend. Is this seat taken?
Click over to the Pornokitsch website to read the entire thing.
My virtual meeting with Sam has prompted a meandering journey through a few websites dedicated to the stylish presentation of text. I thought I would note the links in one place: first, merely to note the trend; and second because it will aid discussions with colleagues over how to present our own literary content on the fantastic PEN Atlas.
First: Medium is a relatively new site created by Twitter founder Evan Williams. Writers can create beautiful looking stories and essays very quickly. The site has the clean and spacious aesthetic that has become fashionable recently. Design led by the need for readbility and usability on tablets, mobile phones, while also providing a reading experience on desktop and laptop monitors that is easy on the eye. I was delighted that my request for an early-bird account was granted by Medium’s Director of Content, Kate Lee, and I have just uploaded a story to the site to try out the composition features.
You can read ‘Northern Line Lovers‘ on Medium (and if you like the story, please hit the ‘recommend’ button below the text). I think I will post my other ‘Ficciones‘ there at some point. Continue reading “Notes on design trends for long-form and creative writing”