Robert Sharp

Barrister

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Overthinking Facebook and Instagram

Instagram Photobomb

An Instagrammable photobomb, by theycallmemouse on Flickr.


I have become an avid listener of the Overthinking It podcast. It is a few guys, chatting via Skype from disparate locations in the USA, shooting the breeze about popular culture.
A recent episode (an atypical two-hander between Matthew Wrather and Peter Fenzel) is called ‘Schroedinger’s Instagram’, and discusses in depth the pop-cultural implications of the recent purchase of Instagram by Facebook. In doing so, they cruise by many of the obsessions and diversions of this blog.

Wrather and Fenzel talk a little about party photos and holiday snaps. The way in which people ‘pose’ for ostensibly candid photos has always fascinated me. I know people who make a peace ‘V’ with their fingers, or open their mouths as if the excitement of the moment has overcome them… but then they lapse into a rather glum repose once the flash has fired. They are consciously creating an inaccurate facade for Facebook.
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Two Great Pieces of Collaborative Internet Art

Ever since my intimate involvement with Sweet Fanny Adams in Eden, Internet-only art has been one of my recurring interests. Most recently, I noted the delightful xkcd cartoon that only really works properly online, using features available in computers. Art that is not simply a recording of a performance that took place in some place and time. Art that is not simply a scan or representation of something that exists on a wall or street corner somewhere. Art that you cannot experience anywhere but on a connected device. Art that could not have been created before the twenty-first century.
Here are two more examples, both extremely simple, both aesthetically pleasing on the surface, and both with an added beauty because of the collaboration that is inherent in their creation.
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Get Yourself A Cheap #Leveson Report

Leveson Report

Leveson Report, printed via Lulu.com. The pretty spectrum of blue hues is an intentional difference from the official version.


The Leveson Report is over two thousand pages long, and is published in four volumes. You can download the forty-two page Executive Summary and the four large PDFs that make up the full report from the National Archives (at the grandly named official-documents.gov.uk doman).
If you want a hard copy of the report, The Stationery Office will charge a whopping £250.
However, there is a cheaper option to get a printed version of the report. I have taken the four PDFs and uploaded them to Lulu.com, the print-on-demand website. Each document (I, II, III, IV) costs around £12, and so (with delivery included) one may obtain the entire report for under £60.
Is this legal? Yes. The Leveson Report carries an Open Government Licence (a variation on a Creative Commons Licence) which states that anyone is free to “copy, publish, distribute and transmit the Information”. There is no creator mark-up on the documents (i.e. I do not make any money), so ordering them in this way is analagous to clicking ‘print’ on the PDFs and feeding two-thousand sheets of paper into your office printer!
Why is there such a disparity in price? The answer is colour. The design of the report available via The Stationery Office is printed with a blue spot colour, used in various tints throughout the report. In the cheaper Lulu versions, the content is simply black-and-white.

How the BBC's 'Gotcha' questions hurt democracy

Did anyone hear the BBC Today interview with UKIP leader Nigel Farage this morning? I was tearing my hair out at the inanity of it all.
Presenter John Humphrys repeatedly asked Farage whether he wanted to be Prime Minister and whether he thought UKIP would soon be in Government. This is a no-win question for the Interviewee: if he says ‘yes’ he will be accused of being delusional. If he says ‘no’ he is accused of lacking ambition and not worthy of a person’s vote. So, like all minority party leaders, he was forced to give an evasive non-answer.
This is ‘gotcha’ questioning from Humphrys, and reveals nothing about the matter at hand: why are UKIP doing better in the polls?
There may be instances where ‘gotcha’ questioning is appropriate – for example, to highlight a contradiction in a Government policy. However, the electoral paradox that Farage must confront is not of his making. Instead, it is a feature of the political system. There is no value in wasting broadcast time trying to get Farage to explain this. Voters are savvy enough to understand the conundrum. It is patronising to suggest that Farage is somehow pulling the wool over their eyes.
Single issue parties seeking protest votes is an entirely legitimate use of representative democracy. Any kind of electoral success brings influence and an audience, and so can be an aim in itself , not just as a route to power. When Humphrys and the BBC portray such political activism as fringe or Quixotic, they are being unhelpful to the voters and to the issues. And when this journalistic cynicism is practiced at the expense of actual scrutiny of UKIP’s policies, it is downright harmful and wrong.

Austerity and the Damp Fog of Alienation

The tweet above, about welfare claimants, struck a chord with me.
It is very worrying that the welfare safety net is being reconfigured, to become something that could coerce claimants.
It is actually quite easy for those with job security (not just the wealthy, but the middle classes too) to imagine certain aspects of poverty. Regardless of our jobs or bank balances, we’ve all experienced moments of hunger, or the boiler has broken and we’re without the central heating. While affluent people do not know what it is to live perpetually in that state, they can at least imagine the physical discomfort. So it is easy to be outraged by extreme poverty.
However, it is harder to imagine the feeling of being in the position of weakness that comes when one is entirely dependent on others to sign-off on benefits. Continue reading

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